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Il dilemma dell’ombrello marrone Prima porta a destra Niente
Lotosovi cvetovi koji se zatvaraju (kada se u njih uđe) (Put percepcionera)
„U ruci držite roman koji obiluje licima koja su delimično nestala, delimično (ne)stvarna, na marginama istinitosti.
U hostelu Preko granice moguće je veđto spojeno i ujedinjeno sa nemogućim, ipak sve je izuzetno životno i materijalno, neknjiško. Lekićeva jezička izbrušenost i detaljistički pristup rubnim emocionalnim stanjima navodi preko granice očekivanja.“
Como nos tornaremos menos
Flori de lotus care se închid (când intri în ele) (Drumul celui care percepe)
Голос Суліни
De Heggen
Meine Mutter hat Blumen gezüchtet (Uslovi nisu bitni)
Ljiljana D. Ćuk’s short prose dives into the depths of human emotion, exploring a strong sense of existential despair. With a direct and uncompromising style, Ćuk reveals the struggle to make peace with a world that feels broken, where every part of reality comes with an unsettling sense of disgust. Her writing gives readers a raw and intense experience, confronting the challenge of finding meaning in a universe that seems indifferent.
"The short prose of Ljiljana D. Ćuk is not only exquisite literature, which it undoubtedly is, but also an expression of general despair, the torment of trying to come to terms with anything that exists, as everything existing is mostly seen and experienced as repulsive in itself." (Srdjan Srdić)
Deník
Spotkanie po latach
La voz de Sulina
Ovce su na broju
Lotusbloemen die sluiten (als je ze binnen gaat) (De weg van de waarnemer)
Obletnica
Bilo je nekoč na Krimu
Măi, fetelor (It’s Both Heaven and Hell Here. Moldova: a Century of Lived History)
There are few places across Europe which have had the tumultuous story of Moldova in the 20th and 21st centuries. My greatgrandmother, for instance, spent most of her life in the same village while living in four different countries: she was born in the Russian Empire, went to school in Romania, resisted collectivisation and eventually gave in during the Soviet era, and got retired in the independent Republic of Moldova. I share her story in this book, as well as stories of other people with different backgrounds I interviewed, in an effort to create a polyphonic view of Moldova’s recent history. Chronologically, the book starts with the 1903 infamous Chisinau pogrom and it ends with the 2022 refugee crisis caused by the full-scale invasion of Ukraine. Geographically, the stories are rooted in Moldova but they cover the whole world thanks to the processes of migration that characterised all of the communities described in this book — Jewish, Roma, Armenian, Moldovan, Ukrainian, Russian etc. — at different points during history.
Non c’è nessuno come te (Soggetti in volo)
Sraz
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Nikdo není jako ty (Létající lidé)