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Bárbaros en el Imperio romano
Sulinin glas
Píditel: 44 (ne)obyčejných věcí z blízka i z daleka
100 de date importante ale Imperiului Roman
Sonja podiže ruku
Kwiaty lotosu, które się zamykają (gdy się do nich wejdzie)
Lotosové květy, které se zavírají (když se do nich vstoupí) (Cesta recepčního)
Lotosovi cvetovi koji se zatvaraju (kada se u njih uđe) (Put percepcionera)
„U ruci držite roman koji obiluje licima koja su delimično nestala, delimično (ne)stvarna, na marginama istinitosti.
U hostelu Preko granice moguće je veđto spojeno i ujedinjeno sa nemogućim, ipak sve je izuzetno životno i materijalno, neknjiško. Lekićeva jezička izbrušenost i detaljistički pristup rubnim emocionalnim stanjima navodi preko granice očekivanja.“
Konec
La rinnegata
A story of three generations of women, their courage and search for independence in the face of superstition and prejudice, in the spirit of Natalia Ginzburg and Elena Ferrante. In this striking debut, based on a true story, Valeria Usala bears witness to an age-old story of violence against women and takes us into the heart of rural Sardinia, where superstitions and cruelty coexist with the joys and companionship of a tight-knit community.
Teresa runs a shop and a tavern. But not even the family she has created with the man she loves can protect her from the malicious gossip of jealous locals, who are threatened by her independence. Her own mother, Maria, was made an outcast, and now Teresa is in turn forsaken by the villagers. Will she pay for her success with her life? Is she like a character in Greek tragedy, whose destiny is inevitable? A story that gives voice to the forgotten women of Sardinia—and to the one of women everywhere.
Po torach
El automóvil de la Antigua Grecia
Отхвърлената
Głos Suliny
Гласът на Сулина
Automobiel uit het oude Griekenland
Hiša v Hajfi
Odpadlice
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